Television Cameraman - HD green screen work
As an HD television cameraman, whether it be for a documentary,
sitcom, dramatic, etc, occasionally you are called upon to use green
screen. This is a prime example, which demonstrates the need for
a television cameraman, or any cameraman for that matter, to be
acutely aware of what occurs during HD post-production since they
are intimately related.
This posting was created to provide an HD television cameraman
with a simply overview in order to execute the best possible green
screen:
- Use the best HD camera with the most resolution, best lens,
and most color space.
- Make certain the depth of field allows for the edge of the subject
to be in focus.
- The green screen should be lit as evenly as possible. As a television
cameraman / gaffer you should always attempt to avoid shadows
on the green screen.
- Keep your subject as far away from the green screen as possible.
This will help for two reasons. First, it prevents a subject from
casting a shadow on the green screen. Second, it minimizes the
light bouncing off the green screen and landing on the subject
- in effect adding green to the subject. This is referred to as
"spill".
- Cut off light / bounce from the green screen by using flags
or other objects to block the reflected light.
- Make certain the subject is wearing nothing, which matches or
comes close to the green screen.
- Light your subject and green-screen using different light. For
example, a human subject could have a key, fill, and a rim light.
The green screen would be lit separately, using additional lights.
Those are simply the basics. If you're a television cameraman looking
to learn more about the process of green screen work in HD post
production, simply contact Saturnalia Productions. You may also
wish to check-out all of our other
HD post production services.
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